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Margaret Aldin is an Athens, Georgia-based artist specializing primarily in oil. Originally hailing from Madison, Mississippi, Margaret pursued her passion for art at the University of Georgia, where she studied Fine Art and Advertising. Following her academic pursuits, Margaret dedicated her time to promoting the arts, working as a fundraiser for her alma mater's school of music. Her work delves into the intricate relationship between perfectionism and vulnerability and seeks authentic reflection on her quest for balance and honesty as she confronts her imperfections and flaws. 


Through my work, I strive to peel away layers of pretense and expose the inherent hypocrisy that often accompanies perfectionism. The struggle to maintain an image of flawless accomplishment, especially in a world demanding constant accountability, leads me to confront my own dual nature. 

On one hand, I am driven by an internal force pushing for success, while on the other, I grapple with the need for authenticity. My paintings depict curated still life arrangements, juxtaposing found organic elements with intentionally placed objects. These compositions represent the internal battle between my desire to achieve perfection and the messy reality of existence. At times, my work immortalizes seemingly mundane items—a cherished succulent, a book left unread, or a fragmented ceramic work. These objects transform into symbols, each encapsulating a preserved memory of achievement or failure, compelling me to revisit and reflect upon them.

Amidst this internal turmoil, questions linger. Does acknowledging our flaws and weaknesses justify the mistakes we make? Does honesty absolve us of our shortcomings? These questions, without clear answers, are woven through my work.

My art explores the tension between my desire to please others and the necessity to honor my true self while also seeking to let go of the constant need for approval. I seek vulnerability through acknowledging my limitations and exposing the facade of perfection. By confronting these inner conflicts, I aim to create a dialogue that invites viewers to contemplate their own battles with perfectionism, acceptance, and self-discovery.